Gregory Alan Isakov with The Philadelphia Orchestra

Gregory Alan Isakov’s fanbase first fell in love with the balladeer’s spare, soul-stirring songwriting; however, in this special evening accompanied by The Philadelphia Orchestra, songs like “Miles to Go,” “Liars,” “Big Black Car,” and “Amsterdam” will carry them into an expansive, sweeping soundscape—one that is lush, cinematic, and deeply intimate.

Born in Johannesburg, South Africa, and now calling Colorado home, horticulturist/musician Gregory Alan Isakov has cast an impressive presence on the indie-rock and folk worlds with his six full-length studio albums: That Sea, The Gambler; This Empty Northern Hemisphere; The Weatherman; Gregory Alan Isakov with the Colorado Symphony; Evening Machines (nominated for a Grammy award for Best Folk Album), and Appaloosa Bones. Isakov tours internationally with his band, and has performed with several national symphony orchestras across the United States.

Isakov’s new record, Appaloosa Bones, was released via Dualtone/Suitcase Town Music. Of the album, MOJO states, “Prime Isakov: his velvet baritone glides over elegant and shimmering Wild West mirages.” The Associated Press proclaims, “He has that magical ability to convey both urgency and grandeur at the same time… Simple. Straightforward. Utterly evocative.” And No Depression declares, “this is Isakov’s genius. He turns a short poem into a magnificent piece of music that can captivate for hours.”

When he is not on the road, he runs Starling Farm (a small farm in Boulder County, Colorado).

Australian conductor Christopher Dragon is the Music Director of the Greensboro Symphony Orchestra, newly appointed Music Director of the Philly Pops and is the Resident Conductor of the Colorado Symphony, which he joined in the 2015/16 season as Associate Conductor. Before moving to the United States, Dragon held the inaugural position of Assistant Conductor with the West Australian Symphony Orchestra where he was mentored by Asher Fisch.

Dragon has a versatile portfolio ranging from live-to-picture performances including Nightmare Before Christmas, Toy Story and Star Wars: Return of the Jedi, to collaborations with artists such as The Wu-Tang Clan, Cynthia Erivo and Joshua Bell, and to standard and contemporary orchestral repertoire such as Danny Elfman’s Percussion Concerto. He has become known for his charisma, high energy and affinity for a good costume, consistently delivering unforgettable performances that have made him an audience favourite.

Recent highlights include his sold-out symphony tour with Gregory Alan Isakov, which included debuts with the Los Angeles Philharmonic and Nashville Symphony, a new orchestral collaboration with Nathaniel Rateliff and his successful German debut with the WDR Funkhausorchester.

Permitted Items
- Food, beverages, and disposable utensils (compostable, plastic, reusable, etc.)
- Blankets and breathable ground coverings
- Umbrellas
- Please note: Only personal-sized umbrellas will be permitted on the amphitheater lawn.
- Lawn chairs
- Please note: Lawn chairs must not exceed 43" in height when opened. Lawn chairs on the center amphitheater lawn must not exceed 26" in height when opened.
- Tents
- Please note: Tents of any size will NOT be permitted on the Amphitheater lawn or immediately in front of the Charles R. Wood Discovery Stage.

Items Not Permitted
- Metal utensils
- Plastic tarps
- Lawn chairs over 43" in height when opened
- Tents on the Amphitheater lawn or immediately in front of the Charles R. Wood Discovery Stage
- Grills, cooking equipment, or any flame that uses a liquid, gas, or gel accelerant
- Laser pointers
- Drones
- Professional audio or video recording equipment
- Cameras with detachable lenses
- Bikes, rollerblades, skateboards, scooters, etc.
- Pets (except ADA approved service animals)
- Illegal drugs or substances
- Weapons of any kind

Items listed are subject to change or vary on show day.

Ground Rules
- Security procedure: all bags will be inspected, and all personnel will be searched via metal detectors. Bags include but are not limited to coolers, baskets, tote bags, purses, diaper bags, strollers, and other containers. Any item that is not permitted on the SPAC grounds should be disposed of or returned to your vehicle.
- Smoking is permitted on the SPAC grounds in designated areas only. Please ensure that all cigarette butts are disposed of properly.
- Guests are welcome to bring items such as blankets and umbrellas but please consider others around you. If your items are disruptive to others, you may be asked to remove them.
- Reentry is permitted for SPAC-produced events. Guests must obtain a reentry wristband from staff at the gates prior to exiting the venue.
- SPAC has a zero-tolerance policy for harassment of any kind, including but not limited to race, national origin, gender, gender identity, gender presentation, sexual orientation, age, ability, religion, and citizenship. Harassment includes but is not limited to stalking, verbal or physical intimidation, offensive verbal comments, physical assault and/or battery, inappropriate physical contact, and unwelcome physical attention. If you are made to feel uncomfortable or unsafe, please immediately report any concerns to SPAC staff or security personnel so appropriate action can be taken.

Amphitheater House Rules for Classical Performances
- "House" refers to seating inside the amphitheater. House rules are applicable inside the amphitheater for SPAC-produced events.
- Beverages are permitted in the amphitheater, but food is not.
- As a courtesy to the performers and the audience, guests arriving after the performance begins will not be seated until the earliest appropriate opportunity in the performance at the discretion of House Staff.
- Please turn off or silence all mobile devices prior to the start of the program. Texting and making calls in the theater is not allowed. Should an emergency arise in which you must use a mobile device, we ask that you step outside of the theater to avoid disturbing other guests.
- Video, photography, audio, or cell phone recording during performances is prohibited.