Vanessa Collier

Singer/songwriter Vanessa Collier’s sixth album Do It My Own Way comes out September 13 via Phenix Fire Records. Recorded on analog gear with the musicians largely in one room, the album is sonically inspired by the classic Memphis soul sound of Stax and Hi Records, especially that of the Staples Singers. The groove and horns would make Willie Mitchell proud, and the album features legendary Hi Records organist Rev. Charles Hodges. The vocals are powerful, awe-inspiring, and undeniably soulful. Talking about the album, Collier adds, "It's a warmer and darker sounding a record, recorded intentionally to reflect a throwback to older school soul, R&B, blues, and to the days of great songs and songwriters, tube amps and analog gear."

Second single "Wild As a Rainstorm," which dives deep into soul territory, gives advice to women and people who feel left out to ignore the naysayers and "Be a tapestry of dreams." The track has been added to Spotify’s official Retro Soul playlist. Minor key Americana/noir "Take Me Back" served as the first single. The album kicks off with the funk workout "Elbow Grease." On an album full of grooves, "Shoulda Known Better" stands out while "Just One More" sways to a rhumba beat. The gospel-tinged "Rosetta" pays tribute to electric guitar pioneer Sister Rosetta Tharpe; Collier sings, "She’s carried the torch so I can see a little bit better… There’d be no Elvis or Chuck Berry. Sometimes the women do it best. She tackled all the inequities. And fought with strength and audacity." Kicking off on resonator guitar before the full band joins in, album closer "Warrior" paints the picture of a powerful woman and is both a universal message about the strength and experience of women and a tribute to Collier’s mother.

The anthemic, slinky third single and title track comments on the sexism she’s encountered in life and in the music industry. Collier recounts, "The opening lines are a piercing statement of the overused, antiquated, and tired views within the industry. And the lyrics of the second verse demonstrate how the industry attempts to put and keep women 'in their place' by undermining them. I find that most artists I admire - namely, Prince, James Brown, and Bonnie Raitt, went against the grain and did things that people hadn’t thought of before and that people hadn’t seen before, changing the industry as they went. This song is an assurance that I will continue to choose to fight quietly or publicly, if needed, to represent myself how I want to be represented in this industry and that I will not allow someone else to define who I am. It’s also a statement of hope that the industry is, can, and will continue to progress." Of "Wild As a Rainstorm," Collier says, "'Wild As A Rainstorm' is a love letter to the next generation -– particularly my little sisters – who feel out of place in the current world. I’m hoping that this song and my journey to recognize my own personal power might inspire another to choose to take their own path when repeatedly arriving at forks in the road."

Collier takes on multiple roles on the album: writing the songs, producing, arranging horns and all instrumental and vocal parts, and performing many of the instruments herself.

• Instruments and parts: acoustic and electric guitars; alto and tenor saxophones; flute; lead and background vocals.

Also on the album are longtime collaborators and notable players:

• Rev. Charles Hodges (Hi Records organist; Al Green, Bettye LaVette, Ann Peebles, Alex Chilton, Robert Cray)
• Laura Chavez (guitar; frequent Collier collaborator; Sue Foley, Mike Ledbetter & Monster Mike Welch)
• Scott Sutherland (bass; Elvin Bishop)
• Byron Cage (bass; Otis Taylor)

Collier made her Chicago Blues Festival debut this year in front of tens of thousands. Best known in the blues world, she’s a twelve-time Blues Music Award nominee and four-time winner, including Contemporary Blues Female Artist of the Year, Horn Player of the Year, and B. B. King Entertainer of the Year this year. Do It My Own Way finds her influenced by soul artists like Mavis Staples, Sharon Jones, James Brown, and Aretha Franklin. Blues Blast Mag said, "Vanessa is an important part of the future of the blues."

Born in Texas, growing up in Maryland, launching her career in Philadelphia, and now residing in South Carolina, Collier grew up listening to an eclectic variety of music. After graduating from Berklee College of Music, she joined blues legend Joe Louis Walker’s band, went solo at his urging, and has become a notable artist "whose rise to the top is nothing short of meteoric" (Making a Scene). She has opened concerts for Blues Traveler. Her prior studio album, Heart On The Line, spent nine weeks in the Billboard Blues Album Chart top 15.