A Chorus Line

A Chorus Line is a thrilling, intimate musical where dancers lay bare their hopes, fears, and personal histories. Through electrifying movement and raw storytelling, they fight for one of the coveted spots on the line, revealing the heart behind every step.

Director: Mani Velvet McCalmon
Music Director: Alex Walley
Choreographer: Gregory Theodore Marsh
Producers: Hasson Harris W. & Stephanie Saint Germain
Stage Manager: Hannah Wojcik

• Season Subscriptions & FlexPasses still available
• Individual Tickets on sale now

Personal Responsibility Statement: SLOC Musical Theater presents a diverse array of productions that celebrate creativity and community. Not all performances may resonate with every individual or age group. Patrons are encouraged to review show descriptions, themes, and content advisories before purchasing tickets. Please contact the box office with specific questions or concerns about content.

Audition

SLOC Musical Theater is committed to fostering an inclusive and diverse environment. We encourage actors from all backgrounds, including those who identify as LGBTQIA+, BIPOC, and people of all gender identities, to audition for every role. SLOC Musical Theater never charges tuition or fees to artists of any age to participate in productions.

Please note: these auditions are open calls for performers age 16 and older. Performers under 18 at the time of auditions must have a parent or guardian present.

Audition Dates:
- Thursday, October 8 and Friday, October 9, 2026 (you only need to attend one session)
- Sign-in begins at 6:30 pm; auditions begin at 7:00 pm
- Invite-only callback auditions: Sunday, October 11, 2026 at 12:00 pm

Location:
- SLOC Musical Theater, Education Building
- 418 Liberty Street, Schenectady, NY 12305
- Auditions are not in the main theater building. If you are not familiar with our campus, please use the address above in your GPS rather than entering only 'SLOC.'
- Free parking is available in the city-owned lot across the street
- Please enter through the left front door facing Liberty Street

Performance Dates:
- January 15–17 and January 21–24, 2027
- Performances: Thursdays, Fridays, Saturdays at 8:00 pm; Sundays at 3:00 pm
- Venue: SLOC Mainstage, 427 Franklin Street, Schenectady, NY 12305

What to Prepare:
- Prepare 16 to 32 bars of music (approximately one minute) from a Broadway show, ideally in a style similar to the production
- Singing from the show is welcome but not required
- An accompanist will be provided; please have sheet music in the correct key
- Dress comfortably, wear appropriate shoes, and be prepared to DANCE (werk!). You will have an opportunity to change after you sing if you'd like
- Readings from the script will be provided

Rehearsals:
- Rehearsals will be held Monday, Wednesday, and Friday evenings from 6:30 pm to 9:30 pm, and Sunday afternoons from 1:00 pm to 4:00 pm
- Rehearsal times are subject to change based on cast and crew availability
- Rehearsals begin with a full-cast read-through on Sunday, October 18, 2026

Attendance — mandatory dates for all cast and crew:
- Board Review: (Date TBD)
- Photo Shoot: (Date TBD)
- Theater Clean-Up: Friday, January 8, 2027
- Tech Week: Sunday, January 10 through Thursday, January 14, 2027
- All performances
- Strike: Sunday, January 24, 2027 immediately following the final performance

Character Breakdown:
All roles are open to performers age 16 and older unless otherwise noted. Descriptions are provided to help auditioners understand the roles; the creative team welcomes a wide range of performers and interpretations.

• Zach (male presenting): Commanding, demanding director leading the audition. Curt at times but ultimately empathetic. Vocal Range: Spoken
• Larry (male presenting): Skilled, supportive assistant choreographer who demonstrates combinations and keeps the audition moving. Vocal Range: Spoken
• Cassie Ferguson (female presenting): Former featured dancer fighting to return to the chorus. Vulnerable, determined, and emotionally complex; a true triple-threat with a pivotal solo moment. Vocal Range: A3–C#5 (opt. D#5)
• Sheila Bryant (female presenting): Witty, confident, and sharp-tongued veteran dancer whose humor masks deeper emotional wounds. Vocal Range: G3–Bb4
• Val Clark (female presenting): Bold, brassy, and unapologetically herself. Delivers comedic honesty about body image and owning her uniqueness. Vocal Range: G#3–C#5
• Diana Morales (female presenting): Warm, passionate, and determined performer with strong emotional depth. Known for 'Nothing' and 'What I Did for Love.' Vocal Range: G#3–C#5
• Judy Turner (female presenting): Quirky, enthusiastic, and lovable dancer who shares humorous childhood memories. Vocal Range: G#3–C#5
• Kristine Urich (female presenting): Sweet, eager, and hilariously tone-deaf performer whose comedic timing shines, especially alongside her supportive husband, Al. Vocal Range: Cb4–Eb5
• Maggie Winslow (female presenting): Tenderhearted dreamer who escaped a difficult childhood through ballet. Brings warmth and vulnerability to 'At the Ballet.' Vocal Range: B3–E5
• Mike Costa (male presenting): Energetic, confident tap dancer with something to prove. Shares a humorous story about discovering dance as a kid. Vocal Range: F3–G#4
• Connie Wong (female presenting): Energetic, comedic, and warm dancer whose petite stature shapes her journey. Vocal Range: B3–E5
• Greg Gardner (male presenting): Wry, confident dancer with sharp comedic timing. Vocal Range: Baritone
• Bobby Mills (male presenting): Flamboyant, funny, and theatrical performer who uses humor to mask insecurities and a complicated upbringing. Vocal Range: Baritone
• Richie Walters (male presenting): High-energy, charismatic dancer with explosive personality and comic flair. Vocal Range: Tenor
• Al DeLuca (male presenting): Grounded, supportive husband to Kristine. Warm, patient, and steady presence. Vocal Range: Baritone
• Mark Anthony (male presenting): Youthful, enthusiastic dancer who shares humorous stories about adolescence and self-discovery. Vocal Range: Tenor
• Paul San Marco (male presenting): Sensitive, introspective performer with the show's most emotional monologue about identity, family, and acceptance. Vocal Range: Baritone
• Bebe Benzenheimer (female presenting): Shy but sincere dancer who finds beauty and escape in ballet. Adds emotional depth and vulnerability to 'At the Ballet.' Vocal Range: Alto

Questions? Email [email protected]